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the company behind the Tsutaya project
morealways taking social conditions into account
It thinks it’s essential and that they won’t find anything to replace it
’ to the ununderstandable we have Riccardo Badano’s naturing borders and Toni Navarro’s proposals and challenges for a planetary politics
Who Can Afford To Be Critical? branding the company behind the TsutayaCritical Designers produced by an increasing number of design schools are prompted to address social, political and environmental issues through their practices. Yet, who can afford to continue such effort after graduation? In a dynamic style holding multiple voices, Who Can Afford To Be Critical? discusses the limits that affordability, class and labour impose upon the educational promise of holding a critical practice. Why do we tend to ignore the
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