Who Can Afford to be Critical? First Nations Classics Jenny Zimmer and the artist

Jenny Zimmer and the artist himself outline the sources of Johnson’s use of Geometric Abstraction to express his philosophy of life

dispels the idea of such art as a thoughtless defacement of pristine surfaces

art and activism

they always have someone they can turn to

Who Can Afford to be Critical? First Nations Classics Jenny Zimmer and the artistOn the conditions and limits of critical thinking for design culture under capitalism Design schools increasingly urge students to address social, political and environmental issues in their work. But who can afford to work in this way after graduation? In a dynamic style that draws from multiple contributors, Who Can Afford to Be Critical? discusses the limits that affordability, class and labor impose upon the educational promise of holding a