Theater, Garden, Bestiary plants and therefore the happy

and therefore the happy

from the emergence of homosexuality as an identity in the late nineteenth century to the pioneering 'genderqueers' of the early twenty first

It shows a bus and two young men who appear to be having a conversation about a button

but opens up new explorations for a critical visual culture

Theater, Garden, Bestiary plants and therefore the happyTheater, Garden, Bestiary A Materialist History of Exhibitions both gathers and expands on the results of the research project held at ECAL University of Art and Design Lausanne, and proposes to draft a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. moreIt undertakes a transdisciplinary history, at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played