Making Art Global (Part 1) - The Third Havana Biennial 1989 motherhood In his iconoclastic and controversial

In his iconoclastic and controversial study

aber - wie auch die restlichen Entwürfe - weder vervielfältigt noch für eine tatsächliche Nutzung verteilt

La Bouche Cabaret

public railing systems often feature versatile ball-and-socket joints

Making Art Global (Part 1) - The Third Havana Biennial 1989 motherhood In his iconoclastic and controversialThe third edition of the Bienal de La Havana, which took place in 1989, extended the global territory of contemporary art and redefined the biennial model. This book examines the project in its historical and international contexts, with an introduction by Charles Esche, core essay by Rachel Weiss and extensive documentary photographs. Crucial texts from the time by Luis Camnitzer, Coco Fusco, Geeta Kapur, Mirko Lauer and Llilian Llanes Godoy are