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Dear Life: Sweet Nothing
and the complexity of post-human existence through a cathartic lens of churning rhythms and haunting vocal work
Memory Man
Awalk in Cheong 1969
Various- The Indestructable Beat of Soweto (Vinyl) Rico Nasty Dear Life: Sweet NothingIn South Africa, long standing racial segregation, codified by apartheid, accelerated the growth of new musical styles in the black townships where black workers sought some re lease from the daily grind in music and dance. The resultant township music styles, known collectively as mbaqanga, had the raw urgency of postwar Chicago blues in the United States. With accordions, guitars, fiddles, percussion (and ul timately electric bass and guitar),
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