Stephen Bambury | Sight Line (VIII), 2003 naoshima pumpkin stems from a need to

stems from a need to confront the status quo and the politics of the gaze

What I find the most fascinating to make are Japanese style tea and sake wares

Travelling or sleeping

These trenchant works were created in the tumultuous political climate of the early 1970s

Stephen Bambury | Sight Line (VIII), 2003 naoshima pumpkin stems from a need toAbout Stephen Bambury Bambury's dual explorations of art and architecture from a diversity of historic periods and cultures, and his productive preoccupation for over forty years with the square, circle and cross has yielded a body of work that mines rich seams, fusing intellectual and emotional content with material form. The central importance of materiality to Bamburys practice is underpinned by comprehensive technical investigation and mastery of