Marie Shannon | I.L.Y. #1, 2005 vessel simple design raw texture pottery newzealand artist natural muted colour palette marginuttall local art functional art flower face fine art for the home clay ceramic work bisque fire auckland artist the chaos of the 1968

the chaos of the 1968 presidential election and the enduring violence of the Vietnam War

His stencil-style graffiti works have developed an intense public and commercial interest

Bourgeois explored the full range of the human condition

Asdollah-Zadeh is driven by the belief that artists are storytellers

Marie Shannon | I.L.Y. #1, 2005 vessel simple design raw texture pottery newzealand artist natural muted colour palette marginuttall local art functional art flower face fine art for the home clay ceramic work bisque fire auckland artist the chaos of the 1968About Marie Shannon Marie Shannon has been creating delicately intimate, witty and thoughtful works for over thirty years. While the domestic has been her primary concern, her work has also addressed the artwork of others as a way to investigate the creative process. Since the death of her partner, artist Julian Dashper, in 2009, Shannon has been cataloguing his works and archive in their shared Auckland studio. Working with photography as her