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Charlotte Prodger
Laura Agustín makes a passionate case against these stereotypes
Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements
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Sharon Lockhart, CONVICTION (The New York Times, April 19, 2020), 2021 frieze artist award Charlotte Prodger2021 Lithographic Print 84 x 59cm Edition 100, signed certificate Conviction was inspired by a photograph from 1931 of a student at Kansas University, Lawrence, wearing a costume depicting Miss Depression at the All University party. The dean of women had advised the students to select economical costumes for the occasion in view of the depression. The image was published in newspapers across the country at the time. Lockhart produced a set of
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