Phil Dadson | Headstamp (Atacama), 2014 danish artist I first became drawn to

I first became drawn to shino when I was searching for a glaze to suit a particular pot

all united by a poetic quality and an enduring preoccupation with such universal themes as time and cosmic cycles

and an uncanny ability to personalize even the most recognizable and distinguished figures

and how his abstract paintings of the mid-1970s are emblematic of the Korean collective Dansaekhwa

Phil Dadson | Headstamp (Atacama), 2014 danish artist I first became drawn toAbout Phil Dadson Recognised internationally for pushing the boundaries of sound and intermedia art since the 70s, Phil Dadson is a seminal figure in New Zealands art history and has influenced a generation of leading mid career artists. His highly inventive transdisciplinary approach to making art includes solo and group performances on original instruments, exhibitions, building experimental sonic objects, video sound installation, music composition