Burning Images: A History of Effigy Protests craft சிந்துஜன் வரதராஜா (Sinthujan Varatharajah) and

சிந்துஜன் வரதராஜா (Sinthujan Varatharajah) and مشترى هلال (Moshtari Hilal) jointly reflect on a practice that

Or does this kind of scepticism give me an extra incentive to prove myself

and other art printing methods

our present-day relationship to OSPAAAL posters as a commodity

Burning Images: A History of Effigy Protests craft சிந்துஜன் வரதராஜா (Sinthujan Varatharajah) andEffigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Gttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and