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Stezaker’s interactions with the virtually infinite resource of mass imagery conflate aesthetics
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Or it might just dress up old forms of oppression in algorithmic clothes – digital sweatshops training biased data while robots write poems and paint
Ukrainian art curator Alexandra Tryanova and Belgian sociologist Pascal Gielen engage in a dialogue about this
Source #116 Autumn 2024 migration Stezaker’s interactions with the virtuallyThe elements Earth, Air, Water, and Fire as described by Empedocles 2,500 years ago, are still relevant categories for thinking about our ecosystem and more particularly the way we are damaging it. As Conohar Scott writes, talking specifically about Fire, our assumption that we could harness combustion for our own ends without any consequences now looks hubristic, in a way that Empedocles would have recognised. Scott surveys the approaches
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