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Every colour block and fine line reads precisely
structural lines — and reassembles them into a composition that is part document
rendered in a palette that feels both contemporary and rooted in fantasy
Vienna's Wotruba Church – a monument built from stacked
Paysage (1920) by Georges Valmier Vitor Costa Every colour block and finePaysage (1920) is an early landmark of Valmier's fully abstract period. The landscape its hills, trees, and open sky is resolved into a cascade of interlocking geometric planes rendered in bold, clearly bounded colour fields. There is no horizon line, no atmospheric haze; instead the picture surface is activated by the dynamic interplay of warm and cool tones, of rounded forms pressing against angular ones. The result is a painting that feels