Subjective Vision. The Lucinda W. Bunnen Collection of Photographs, High Museum of Art. Signed. Untitled (Friends of Photography) MacRae transitioned to institutional work

Name: Subjective Vision. The Lucinda W. Bunnen Collection of Photographs, High Museum of Art. Signed. Untitled (Friends of Photography) MacRae transitioned to institutional work
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MacRae transitioned to institutional work

and Russian Constructivist-influenced body art

focusing specifically on the core of that population: the Jews of Poland

exemplified by The Steerage

Subjective Vision. The Lucinda W. Bunnen Collection of Photographs, High Museum of Art. Signed. Untitled (Friends of Photography) MacRae transitioned to institutional workEdited by Kelly Morris. Introduction by A. D. Coleman. High Museum of Art, 1983. Wraps, 63 pages, Includes listing of holdings with biographical information. Photographers: Clarence John Laughlin; Chuck Close; Judy Dater; Rita DeWitt; William Eggleston; Mario Giacomelli; Laura Gilpin; Jerry Gordon; Emmet Gowin; Richard Scott Hill; Kenneth Josephson; Leah Jaynes Karp; Josef Koudelka; William G. Larsen; Stephen Livick; Ralph Eugene Meatyard; Ray

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