Le Macchine Celibi/The Bachelor Machines prenons-les-armes with pages that would never

with pages that would never be read

New York: Redtape Magazine

American Art Catalogues

collaborations—while solidifying the relevance of Edith Heath’s story in contemporary life and society

Le Macchine Celibi/The Bachelor Machines prenons-les-armes with pages that would neverNew York: Rizzoli, 1975. First edition. Hardcover, 236pp., 7. 5 x 12 inches. Near Fine. Gently yellowed dust jacket with minimal markings. Faint rubbing to rear. Inside pages are clean and sharp, with no bumping or creasing. Catalogue published in conjunction alongside a series of exhibitions on the subject of "Bachelor Machines," a term first used by Marcel Duchamp in connection with work that would later become "The Bride Stripped Bare by Her