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Boston: NYGS/Little Brown in association with the International Museum of Photography at George Eastman House
Gary Bortoloni
The book chronicles the shift from Pictorialism—which sought to mimic painting through soft focus—to a structured
Notes: Photographer and co-founder of the Kamoinge group of Black photographers in New York in the early 1960s
Daguerreotypes. Image, the Journal of the George Eastman House of Photography. Volume 5, Number 1, January 1956. Signed Copy Boston: NYGS/Little Brown in associationEdited by Minor White. Includes Beaumont Newhall, "The Broadway Daguerreian Galleries," pages 27 37. [Discusses the leading galleries owned by Mathew Brady, Martin M. Lawrence, Rufus Anson, and Jeremiah Gurney, and mentions the operators who actually took the daguerreotypes for them such as James A. Brown, Polycarp von Schneidau, and Gabriel Harrison. Well illustrated with views of galleries, portraits of daguerreotypists, etc.] Complete issue, 45