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objective realism of industrial structures and botanical still lifes to dynamic street photography
who used the contact print to achieve an almost clinical yet deeply emotional intimacy in portraiture and landscape
Textual and Artistic Dialogues: The volume is enriched by curatorial essays from Jock Reynolds and Philip Brookman
It positioned photography not merely as a tool of reportage
Flick, Robbert. Robbert Flick: Selected Works, 1971-1981. Untitled (Friends of Photography) objective realism of industrial structuresLos Angeles Municipal Art Gallery, 1982. Interview of the artist by Susan Larsen. Essay by Mark Johnstone. Exhibit catalog, 47 pages, includes checklist and portrait of the artist, bibliography, collections, and chronology. Illustrated wraps, first edition of 500 copies. Near fine with minor rubbing on cover and gallery courtesy card affixed to front free end paper.