The Language of Tonality in the music of Bach to Bruckner spiritual ‘We are well supplied with

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The Language of Tonality in the music of Bach to Bruckner spiritual ‘We are well supplied withHermann Beckh (author) Translated by Alan Stott Hermann BECKH The Language of Tonality Why are musical works named by their keys: "Mass in B minor", "Symphony in D major", and so on? Can certain things be said best, or even "only", in certain keys? Can we hear the essence of a key? Are "subjective" and "objective" relevant, or is there a higher synthesis? How could the common chord express so much musical variety for over three centuries, and for some