Blue Painting by Wassily Kandinsky Exhibition William Morris the whole composition held in

the whole composition held in a formal symmetry that is equal parts taxonomy and ornament

Painted during his time at the Bauhaus

flat planes of color

Bold shapes and confident colour choices turn a still-life subject into something closer to graphic pattern design

Blue Painting by Wassily Kandinsky Exhibition William Morris the whole composition held inThis exhibition poster from Kandinsky's circle pairs the painter's signature abstract vocabulary with the bold graphic language of the Bauhaus era. Geometric forms and dynamic color fields are organized with typographic intent the composition reads simultaneously as fine art and design artifact. The blue dominates: cool, authoritative, pulling the eye through a visual rhythm that mirrors Kandinsky's central thesis that color and form could speak